The movie Kee is an upcoming Tamil science fiction psychological thriller film, which is written and directed by Kalees and produced by Michael Rayappan. The film acted by the actor Jiiva in the lead role, while actresses Nikki Galrani and Anaika Soti play the leading female characters. The music composed by Vishal Chandrasekhar.
Star Casts the film
Audio Launch
Jiiva
Jiiva is an actor, producer, singer, philanthropist, model and a dancer. He acted in the Tamil films. His first lead role in the romantic movie called AasaiAasaiyai, before performed in the film Raam. He has stars many cinemas like Dishyum, E, KattradhuThamizh, and Ko.
Nikki Galrani
Nikki Galrani is an actress, model, and a fashion designer. She works in the Tamil and Malayalam films. She also acted in the Kannada and Telugu films. Her first movies are in the Malayalam language is Vellimoonga and in the Tamil language film is called Darling.
Anaika Soti
Anaika Soti is an actress. She has acted in the Tamil, Telugu and Hindi films. After making her debut movie in the Ram Gopal Varma’s bilingual film called Satya 2, she went on to star in the Tamil period film is known as KaaviyaThalaivan.
RJ Balaji
RJ Balaji is a radio jockey, presenter, comedian and an actor. He is well known as the host of the BIG FM 92.7 show called Take It Easy and its defunct segment Cross Talk. Balaji’s films like TheeyaVelaiSeiyyanumKumaru, Vadacurry, Naanum Rowdy Dhaan and Pugazh.
Crew of the film
Well was all set to release on Feb 9 Yet audince need to wait till Feb 28
Kalees (The Director of the film)
Kalees is a Tamil Film Director. The movie Kee is his first debut film in the Tamil language.
S. Michael Rayappan (The Producer of the film)
S. Michael Rayappan is an Indian politician and an incumbent Member of the Tamil Nadu Legislative Assembly from the Radhapuram constituency. He is also a film producer producing the films such as Naadodigal, Goripalayam and Sindhu Samaveli under the Global infotainments banner.
Vishal Chandrasekhar (The Music Director of the film)
Vishal Chandrasekhar is an Indian film score and a soundtrack composer. He has scored the music for Tamil films. Vishal made his music composing debut with the film called Hi Darling.
The musician talks about barging into the Indian rap scene and what hip-hop means to him
Who: Vivian Fernandez Why: A lot has been said and written about him lately, but the young artiste who founded Gully Gang and popularised phrases like ‘boys from the naka’, ‘yeh meraBombay’ and ‘scene kya hain’ is just getting started. Born and brought up in the slums of Andheri, Fernandez barged into a rap scene that was dominated by lyrics about alcohol, drugs and girls…and told his story. That was all it took for people to sit up and take notice. So much so that he was signed to Sony Music India, became the first Indian artiste to have a single released worldwide by Apple Music, and is now the inspiration behind a Zoya Akhtar film, along with his peer Naezy. With his knack for writing hit songs, meticulous flow, electrifying stage presence, authentic lyrics and a down-to-earth, approachable persona, the rapper seems to be built for stardom.
“I started rapping for fun in school; I was never serious about doing it full-time. I saw a guy wearing a 50 Cent T-shirt, and I just wanted to know more. My friend told me about him and gave me a CD which had his and Eminem’s music on it. I listened to that for a year, playing it constantly on my grandmother’s CD player and memorising the words.”
“Everything changed for me when I heard a song by Lecrae. It was gospel rap, and it blew me away that he was rapping, but he was talking about God. I was writing a lot of devotional rhymes as well, because I was living with my grandmother and she would take me to church every single day and I was an altar boy for mass. That’s how the name Divine came about.”
“The main reason I am what I am is because I practically lived alone; my mother and brother both worked abroad ever since my dad left. I would write every day for five hours at a time, and I’d spend days trying to perfect one verse, which I can do in minutes now.”
“My family didn’t support me at first because they weren’t here and didn’t know what I was doing. They saw hip-hop as drugs and bad company. Now that they’ve seen it through my eyes, they’re happy.”
“The evolution of the scene has been amazing to watch. I remember lining up outside clubs for rare hip-hop nights. Now we’re on massive stages playing to audiences of 15,000 people. I think it’s taking off now because regional languages are being embraced. I rap in Hindi because that’s what I grew up hearing in the gullies.”
“The people who built me are still with me and I’m so grateful for them. These are the guys from where I lived and still live, who are in my videos and also behind the camera. They were the ones who pushed me because I didn’t have a family to go home to, and they always stood in the background while I was doing my thing.”
“Getting signed was the highlight of my life because I really needed a win. All my friends had moved abroad or were working in good jobs and I hadn’t finished school or done anything with my life. It happened when I performed Mere Gully Mein with Naezy at Blue Frog; we were the opening act for a Sony artiste. We had just written the song and it was super rough, but a representative from the label heard it and approached me. I luckily had a few songs ready to present, and the rest is history.”
“There’s an audience for everybody and that’s what I love about the game right now. Bollywood rappers play their own role that is different from ours, but neither is less or more than the other. Certain formats are easier to digest than others — after a long day someone may not want to listen to Jungli Sher, so they turn on DJ Wale Babu or Chaar Bottle Vodka.”
“Hip-hop is a lifestyle and you can embody it through dance, by making music or through the console, using any language that comes naturally. Being a fan or a manager or writing about it makes you a part of the movement too. It doesn’t matter how you contribute to the culture as long as you do what feels right to you.”
Theyear of 2018 started with the new tech trends that will probably define the next few years of IT industry. A new buzzword among the tech professionals this year is
‘Reactive Programming’
Reactive programming is basically a model of development that visualizes an application as a series of micro-elements that run in response to a specific event. The term is supposed to be the future of tech industry going forward. Reactive programming approach is not only related to IT processes in an organization but also business processes. The model of development breaks an application into micro-elements, these elements are running asynchronously. Each element in the reactive programming can be implemented parallel with the other element. The approach focuses on items of work that drive changes in a condition. The consequences of these conditions are related to the other items of work. Underneath the complex definition of the new buzzword, what lies is the relief from the traditional model of software-drives-worker. Reactive Programming tries to relate to each step of the business task. The whole idea is to let the programmer perform tasks that the business demands. If the task fits into a process of accumulating change, you can continuously update or commit something. The approach has had a major impact on application design. Instead of sequencing each step, you can create concurrent steps that accumulate to the point where everything that is needed to be done is done. The professional using reactive application performs the business in an optimum way based on conditions. In reactive applications, the outcome is not based on a fixed sequence. The only threat of reactive programming is that it changes the notion of applications tied to the roles that professionals play. The functional atoms that build the reactive program are themselves the target of support. You still need to have sequences and chain of things in this approach. But these sequences represent effective event source-to-receiver relationships that are mandatory for the change to happen. The reactive programming approach may seem quite complex to understand at first sight. It also changes the board context of collaboration that traditional workforce is used to. The information-driven sequence flows can help in designing the highly efficient solutions.
